Is guilt produced by being hierarchically conflicted?

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Is guilt produced by being hierarchically conflicted?

Using Griffin’s most excellent essay on the “Dramatistic Theory of Social Movements,” which is essentially a summary of dramatism, analyze Fight Club. Responses should focus on what motivates our characters and what types of characters that they are. Please be sure to quote directly from the reading. Questions worth considering: What is being rejected hierarchically–socially, politically, economically? Why? Why are so many males willing to follow Tyler Durden? Consider the functioning of scapegoating and mortification. To what effect do they have viz-a-viz the resolution of underlying frustrations? Why is this about Marla Singer? Is guilt produced by being hierarchically conflicted? Why do so many of the Cathartic moments fail to provide resolution? Gateway Accessibility Information The Sakai Project
 

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